Well, gang, this is it—the last in this three-part series of scientific fact and unbridled, unmitigated opinion. Of course, though opinion enters into it, it is an opinion garnered over the years through my own personal interaction with all of you crazed users out there, and, thus, it is really a synthesis of all your [...]
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n Part 1, we started our series with an in-depth look at the famous Neumann U47, one of the most celebrated of the tube condenser microphones. We also covered a lot of ground on the operation of pressure gradient mics in general, and if you missed that issue…too bad. But serially folks, I am, from this point on, going to assume that you have at least a rudimentary understanding of the principles of physics involved in the construction of pressure and pressure gradient [...] Ah, the great vocal mics. What music they [...] In 1952, Hideo Matsushita, a 32-year-old art and music lover, came from the province of Fukui on Japan’s west coast to work at the Bridgestone Museum of Art in Tokyo. During the 1950s, money and resources were scarce in Japan — even in the capital city—and Matsushita began to organize “record concerts” at the museum, where people would gather to sit and enjoy LP playbacks of great performances—a sort of symphony without the symphony. [...] In pro audio’s digital era, 50 years is both a half-century and an epoch. But it’s also a useful vantage point from which to take stock of a very changed industry and the unique position AKG—whose entire diverse product line is analog—occupies. [...] |
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