Acoustic solutions manufacturer Vicoustic, based in Lisbon, Portugal, is shipping the latest addition to its variable acoustics product range. Vari Bass is designed to eradicate problems associated with low frequency resonance. Vicoustic states that it is the first passive, stand-alone tunable bass trap of its [...]
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The 40th anniversary presentation of the Vision Awards will take place on September 23, 2010, in Beverly Hills. For the first time, the Vision Awards will present a “Pioneer in Technology” award to Ray Kurzweil [...] Analoguetube is shipping its AT-101 re-creation of the original Fairchild 670 stereo limiter, with the first unit in the U.S. going into Archer Records’ Music+Arts Studio, a facility owned by Archer Records, an independent record label and music production studio in Memphis, [...] Being a very old school beat maker, you can imagine my abject delight at playing with Maschine for the first time. [...] After the nervous breakdown suffered by the perhaps too new Pioneer CDJ-350 and DJM-350 on the the first day of Musikmesse 2010, the text came in on Thursday – “we have 350 up and running”. So off we trotted AV’d to the hilt only to discover the same people looking stressed hunched over the same units. [...] I’m still unsure (yes even now) about the ability of the iPhone to totally replace the DJ experience in your hand. [...] For the first time in 23 years, the Audio Engineering Society returns to London for its European convention slated for May 22 to 25, 2010.Deliberately placed in a more intimate and centrally located smaller venue, the 128th AES convention takes place at the Novotel London West Convention Centre, near the Hammersmith underground [...] Meyer Sound in Berkeley, Calif., announces the first installations of a Meyer Sound Cinema Experience system in two U.S.-based commercial theatres, located in Gulf Breeze and Pace, Fla. Both systems, at The Breeze and The Ridge Cinemas, will be used for the first time during the opening of Alice in Wonderland on March [...] Photo ( CC-BY ) Liz Bustamante . Ed.: Make no mistake about it: digital sound tech, from mixing to processing, has evolved to a fidelity on par with its analog predecessors and opening possibilities well beyond what they offered. But the making of that evolution wasn’t easy, and it was more than a technical [...] |
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