In 2007, the Recording Academy Producers & Engineers Wing and BMS/Chace, a leading media data management firm, partnered with the Library of Congress to create both a standardized approach and a software model for gathering and managing metadata for recorded music. The resulting metadata standard, dubbed CCD (Content Creator Data), and accompanying studio collection application, were previewed June 14 and 15, 2010, in New York City at the DDEX (Digital Data Exchange, LLC) Plenary and NARM (National Association of Recording Merchandisers) Digital Task Force [...]
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Vintage image ( CC-BY-SA ) Ioan Sameli , as licensed by us pinko commies at CDM. An ASCAP fundraising letter revealed last week that the American performing rights organization is invoking fears of the Electronic Frontier Foundation, Public Knowledge, and Creative Commons in order to raise money. ASCAP appears to be repeating, now in the more heated language of fundraising, arguments it has had with the Creative Commons license in the past. [...] |
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